However, he was involved in the small Hanover scene of Dadaism. This page is unuseful.
Ursonate kurt schwitters pdf free
The correspondence between Schwitters and Huelsenbeck, to found in the Kurt Schwitters Archive of the Sprengel Museum in Hanover, shows that Huelsenbeck supported Schwitters from mid Huelsenbeck describes them both as battling against the 'Spiesser', the blinkered bourgeoisie.
The two seem to have fallen out over a Dada publication in Hannover at the end of the year, but even then Huelsenbeck expresses admiration for Schwitters' work.
In addition, Schwitters was under contract to Herwarth Walden's Sturm Gallery, and was not permitted to exhibit his works under the Dada label. For one example, see the caption under his contributions to the final Zurich Dada publication, Der Zeltweg and the comment on Schwitters in Katherine Dreier's Western Art and the New Era, published in There was no Dada group, even a small one, in Hannover.
'nothing not giving messages' – E.M.
Hausmann and Schwitters gave a Dada performance in Hannover in and a Dada soiree was held at Galerie von Garvens in those who attended are listed in the Garvens guestbook but to talk of Dada Hannover is really misleading. I wrote sections of the article before reading the discussion Can I add it to the notes??? If Schwitters had asked to join Zurich dada they may well have accepted. Trevelyanhouse talk , 20 May UTC. Schwitters actually contacted Zurich Dada in mid onwards and published his work in the Zeltweg in late - the last Zurich Dada publication, as it turned out.
At the same time Schwitters met Huelsebeck, who expressed admiration for his work - it wasn't until that they fell out, but by that time Huelsenbeck had more or less distanced himself from Berlin Dada.
Schwitters knew Kandinsky, of course, and was a great admirer of his work.
In general, it was the confrontational nature of his public activities, such as those surrounding his poem An Anna Blume, that led to his being classed as a Dadaist by the press and the general public — an impression that Schwitters did little to discourage. On occasions when he associated himself directly with Dada, it was in connection with his literary works and generally a matter of expediency; one of the rare exceptions is the passage from the Merz 21 Das erste Veilchenheft , , in which he explicitly describes himself as a former Dadaist.
There is a sense in which Schwitters has become Dada by default; like Marcel Duchamp, he is never missing from exhibitions and general publications on Dada, so that he is classified as a Dada artist merely by virtue of his inclusion in books, catalogues and anthologies on the subject.
As he himself realized, it paid off to consign experimental works to a diffuse but high-profile phenomenon that rejected any common style.
Someone removed the ursonate sound recording from the article- could anyone who knows how, replace it? Preferably with Schwitters' own recording?
See  for a good version on Ubuweb. There seems no obvious reason why this shouldn't fall within a fair use rationale as one of the most famous sound poems ever, and a key piece in his oeuvre.
Franciselliott talk , 17 September UTC. Feel free to use if useful. Dcoetzee , 30 January UTC.
I have just substantially added to the detail of the British period, from the Isle of Man to London and then the Lake District. I inputted the precise detail from the Schwitters in Britain exhibition 30 January - 12 May , Tate Britain press pack, which has a detailed biography with precise dates and occurrences.
Am I right to have done this, or should I put in the unverifiable but accurate secondary source? Jamesfranklingresham talk , 7 February UTC.
Kurt Schwitters - Ursonate - Complete Poem (with Verses Displayed)
There is a section missing in this article regarding the influence of Kurt Schwitter in the Netherlands. Theo van Doesburg organised a tour throughout the Netherlands in and to promote Dada. Kurt Schwitters was an important part of the programme. Moreso, Schwitters held his own shows alone.
One of these took place in Drachten , in Friesland. He had frequent contact with local artists there, such as Thijs Rinsema.
Although I am not an expert on this situation, I would like to note that Thijs Rinsema and Kurt Schwitters influenced each other. So much in fact, that sometimes it is difficult to distinguish their collages from each other. This may also in part resolve the forgeries of Kurt Schwitters on eBay.
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